Britney Spears Oops!...i Did It Again

2000 studio album by Britney Spears

2000 studio album past Britney Spears

Oops!... I Did It Again
Britney Spears - Oops!... I Did It Again.png
Studio anthology past

Britney Spears

Released May three, 2000 (2000-05-03)
Recorded 1999–2000
Studio
  • 3rd Floor
  • Avatar Studios
  • Battery Studios
  • Electric Lady Studios, New York Urban center
  • E Bay Recording, Tarrytown
  • Pacifique Recording Studios, Hollywood
  • Rarc Studios, Orlando
  • Cheiron Studios, Stockholm
  • La Bout-de-Peilz, Switzerland
Genre
  • Pop
  • dance-popular
  • teen pop
Length 44:37
Label Jive
Producer
  • Timmy Allen
  • Larry "Rock" Campbell
  • Barry J. Eastmond
  • Jake
  • Robert "Esmail" Jazayeri
  • Rodney Jerkins
  • David Kreuger
  • Robert John "Mutt" Lange
  • Kristian Lundin
  • Steve Lunt
  • Per Magnusson
  • Max Martin
  • Rami
  • Paul Umbach
  • Eric Foster White
Britney Spears chronology
...Baby One More Fourth dimension
(1999)
Oops!... I Did It Again
(2000)
Britney
(2001)
Singles from Oops!... I Did It Again
  1. "Oops!... I Did It Once again"
    Released: April 11, 2000
  2. "Lucky"
    Released: July 24, 2000
  3. "Stronger"
    Released: October 30, 2000
  4. "Don't Let Me Be the Last to Know"
    Released: March five, 2001

Oops!... I Did It Once more is the second studio album by American singer Britney Spears released on May three, 2000, through Jive Records. Though much in the vein of her debut album ...Infant 1 More Time (1999), it is a pop, dance-pop, and teen pop record, the album incorporates a more funkier and R&B sounds. [i] Contributions to the album's production came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[2]

Upon its release, Oops!... I Did It Again received positive reviews from music critics, who praised its production, sonic quality and Spears' vocal operation. The album became a massive commercial success, debuting at number one in over twenty countries while peaking inside the top 5 in diverse other. In the United States, it debuted at number ane on the Billboard 200, with outset-calendar week sales of 1.39 meg copies, becoming the fastest selling album by a female artist since Nielsen SoundScan began tracking betoken-of-sale music purchases in 1991.[three] This record was broken 15 years later by Adele's 25, which sold over 3.38 million copies in its beginning calendar week of release.[4] Information technology became Spears' second consecutive album to be certified Diamond by the Recording Manufacture Association of America, denoting sales of over x meg copies in the U.s.a., making Spears at historic period 18 the youngest creative person to have multiple diamond albums.[5] With worldwide sales of over 20 million copies,[vi] Oops!... I Did It Once again is one of the all-time-selling albums of all-time.

Four singles were released to promote the album. Its title runway was commercially successful in a number of territories, reaching number 1 in fifteen countries and peaking at number nine on the US Billboard Hot 100. Its second unmarried, "Lucky", peaked at number i in Austria, Germany, Sweden and Switzerland, inside the height 10 in Australia, Belgium, Canada, Denmark, Ireland, Italy, the Netherlands, New Zealand, Kingdom of norway, Poland, Romania and the United Kingdom, and at number 20-three on the US Billboard Hot 100. Its third single, "Stronger", reached the pinnacle 10 in Austria, Finland, Federal republic of germany, Poland, Romania, Sweden, Switzerland and the United Kingdom, and peaked at number eleven on the U.s.a. Billboard Hot 100. "Stronger" became the highest-selling unmarried off the album, receiving a Gilt certification in Australia, Denmark, Germany, New Zealand, Sweden, and the The states. Its concluding unmarried, "Don't Let Me Be the Last to Know", was moderately successful on the charts, peaking at number one in Romania, and within the elevation ten in Republic of austria, Poland, and Switzerland, just failed to chart on the US Billboard Hot 100. To promote the album, Spears performed on several telly shows and award ceremonies, including a controversial functioning at the 2000 MTV Video Music Awards. She too was the host and musical guest for the outset time on Sat Night Live. Furthermore, Spears embarked on a concert bout, entitled the Oops!... I Did Information technology Again Tour, starting on June twenty, 2000 and ending at the Rock in Rio festival on January 18, 2001.

Recording and production [edit]

"When I did the first anthology, I had only turned 16. I mean, when I look at the album cover, I'g like, 'Oh, my lordy.' I know this next anthology'due south going to be totally different--especially the cloth. I just got finished recording the start six tracks in Sweden two months ago, and the material is then much more funkier and edgier. And, of class, it's more than mature because I've grown equally a person too."

—Spears on the progression of her textile for the album.[seven]

Afterward vacationing for half dozen days following the completion of the ...Baby One More Time Tour in September 1999,[8] Spears returned to New York City to begin recording songs for her next album; the majority of the recording took place in November. It featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did It Again", "Walk on Past" (later covered by Gareth Gates), "What U See (Is What U Get)", and "Don't Get Knockin' on My Door" were the get-go to be recorded at Martin'due south Cheiron Studios in the first week of November; followed by "Stronger" and "Lucky", which were finalized (along with the title runway) in Jan 2000. Spears recorded "Don't Permit Me Be the Terminal to Know" at Robert Lange'south villa in Switzerland in December 1999; Lange produced the vocal.[10] "Where Are Yous Now" was an outtake from ...Infant One More than Time. "Girl in the Mirror" and "Tin't Make You lot Honey Me"'s instrumental rail and melody were recorded in the autumn of 1999 in Sweden, with Spears recording the vocals in mid-January at Parc Studios in Orlando, Florida.[xi] [12] Spears returned to New York, linking upwardly with producer Steve Lunt to record Diane Warren's "When Your Optics Say It" at Battery Studios on Friday, January 28, 2000, which preceded her TRL appearance that twenty-four hours. "1 Buss from You" was also recorded at Battery Studios but was later finished at 3rd Flooring in New York City. Spears also recorded the last rails for the anthology "Dear Diary" which would afterward be completed at E Bay Recording in Tarrytown, New York and at Avatar Studios in New York Metropolis. Some other song recorded during these sessions was "Heart". Her cover of "(I Tin't Go No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 later on attending the 42nd Almanac Grammy Awards.[xiii] [fourteen]

By Jan, the then-untitled album was halfway to completion; Spears had worked on it primarily in the The states and Sweden, and finalized cloth in New York City.[ix] She was heavily pressured later on ...Baby One More Time 'south huge commercial success, stating: "Information technology'due south kind of hard following ten million, I take to say. Merely afterwards listening to the new material and recording it, I'm really confident with it."[15] Upon the release of Oops!...I Did It Over again, Spears said: "I mean, of course in that location's some pressure", and added: "Merely in my opinion, [Oops!] is a lot amend than the first album. It's edgier – information technology has more of an attitude. It's more me, and I think teenagers will chronicle to it more." Geoff Mayfield, director of Billboard charts, added that the decision to release Oops!... I Did It Again less than a yr and a half later Spears' debut amounts to "very smart timing. My philosophy is when you have a young fan base, go 'em while they're hot."[16]

Music and lyrics [edit]

Oops!... I Did It Once more was considered every bit a sequel to Spears' debut album, ...Baby I More than Time (1999),[1] percolating with a carefully measured blend of familiar pop, funk, R&B and power balladry.[17] Spears said during an interview that the album has a more mature, R&B-flavored pop audio. "It's not something I changed purposefully", Spears said of the album's audio and added: "It's merely something that kind of changed on itself with me being older. My phonation has changed a fiddling bit and I'm more confident, and I recollect that comes across on the textile."[7] 1 of its producers, Rodney "Darkchild" Jerkins talked well-nigh working with Spears on a Rolling Stones cover, stating: "It'due south going to shock everybody", adding: "Information technology has flavors of the original, but information technology'south a straight 2000 version — new to the ear. Which I recall is cool, because people who appreciate that song are going to honey it. And I made it and then new and young that the young kids that dearest Britney are going to love it. It'south going to take hold of both a mature and immature audience."[18] Spears worked with Robert "Mutt" Lange on "Don't Let Me Be the Last to Know", telling MTV News: "When you hear the song, information technology'south so pure and fragile. It'due south just i of those songs that pull yous in", and added: "I recall they wrote information technology 'especially for me, because the lyrics of the song, if yous really listen … they're more than of what I can chronicle to, 'crusade they're kind of young lyrics, I think. I don't think Shania would probably sing some of the words that I'm saying."[18]

The title track and opening song, "Oops!... I Did It Once more", was compared to her debut unmarried, "...Baby One More Time" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized beat. Lyrically, the song sees Spears warning to an overeager prospective lover: "Oops, you think I'one thousand in love/That I'one thousand sent from in a higher place — I'm non that innocent."[19] The song also breaks downwards for a spoken-word interlude, involving a line from the film Titanic (1997).[19] The 2d rails "Stronger" is a synthpop[20] and R&B-infused track,[xviii] which is lyrically a annunciation of independence, where Spears leaves a partner who treats her similar property.[21] The line "my loneliness ain't killing me no more" makes reference to the verse "my loneliness is killing me" from her song "...Babe One More Fourth dimension".[18] Another R&B-infused rails, which also adds a bit more than funk to the mix,[eighteen] "Don't Go Knocking on My Door" finds Spears confidently forging alee later on a breakup.[21] The quaternary track, a comprehend of the Rolling Stones' "(I Tin can't Get No) Satisfaction", begins with mushy guitar plucking and blatant coos, until a dry, crackling lockstep is thrown downwardly, turning the vocal into an urban stomp.[22] The trip the light fantastic-pop version also jettisons the song'southward final verse and adds some new lyrics[18] ("how white my shirts could be" becomes "how tight my brim should be").[23] "[It] was my idea [to tape the vocal]", Spears said. "I was just like, 'I like this song,' and I think it volition be a really cool combination working with [hip-hop producer] Rodney [Jerkins] and doing a really funky vocal like that."[24] The fifth rails, "Don't Let Me Be the Last to Know", was co-written by country-popular singer-songwriter Shania Twain and her then-married man, producer Robert "Mutt" Lange, who also produced the rail.[eighteen] The ballad, which boasts a slinky keyboard riff and Lange's characteristically lavish production, finds Spears allowing a fleck of country twang into her vocals every bit she begs a lover to reveal his feelings: "My friends say yous're into me ... just I need to hear it directly from you", she sings.[18]

The sixth track "What U See (Is What U Become)" demands respect by rebuking a jealous partner,[21] while the seventh rails, "Lucky", is a heart-rending tale of a Hollywood starlet's loneliness, proving that fame can be empty.[21] "If at that place'due south zippo missing in my life/Then why do these tears come at night?", she asks.[twenty] "Schoolhouse crush" is the theme of "One Kiss from You",[21] a track that has a reggae-style shell and lyrics almost the feelings of falling in beloved, and the quickness of it,[25] with Spears cooing that later on only one buss she sees her unabridged future with her lover.[26] The ballad "Where Are Y'all Now" talks nigh wanting to know where a previous love is, and what that person is upward to, so that she tin can finally let them become and find closure.[ citation needed ] Lines on "Tin't Make You lot Love Me", a Europop song,[22] state that fancy cars and money stake in comparison to truthful dear,[21] with Spears singing: "I'm simply a girl with a crush on yous."[22] The mid-tempo, synth-backed "When Your Eyes Say Information technology", written by songwriter Diane Warren, combines a cord section with a loping hip hop beat,[18] while Spears makes her own songwriting debut on the modest, keyboard-driven ballad "Love Diary", which she said is autobiographical. On the rails, she sings of wanting to get "so much more than friends" with a boy.[18]

Release and promotion [edit]

In late 1999, Spears promoted her upcoming anthology in Europe with live performances of her past songs. She appeared on Smash Hits in the United Kingdom.[27] In Italy, she did a short interview on the television show TRL Italy in early 2000.[27] and gave a surprise performance in Paris in May 2000.[28] In Australia, Spears appeared on The House of Hits and Russell Gilbert Live on May thirteen.[27] In Spain, she gave an interview with El Rayo on September 8 and Oct 24.[27] Spears performed at large venues in the Great britain, including Birmingham, the Wembley Loonshit in London, and the Manchester Evening News Arena. She was accompanied by NSYNC, who toured with her during a brusque U.k. outing in October 2000.[28]

Oops!... I Did It Again was first released in Nihon on May 3, 2000, and was later released in the United states of america on May 16. In the Usa, Spears appeared on Sabbatum Dark Live on May thirteen, The Rosie O'Donnell Show on May 15, and Teen People's 25 Under 25 on May 26.[29] On May x, she was interviewed on Late Night with Conan O'Brien.[27] On May 13, Spears was both the host and musical guest on NBC's Saturday Night Alive. She also performed on NBC's The This night Testify with Jay Leno on May 23.[thirty] Spears' held her mail service-TRL listening party, "Britney'southward Kickoff Listen", on May xvi, and was toast the arrival of her album on adjacent Tuesday'south installment of TRL that started at three:30 p.m. (ET).[31] On May 14, she was at Times Foursquare studios for ii hours of "Britney Live" that started at noon.[31] Spears performed "Oops!... I Did Information technology Once more" on MTV'south All Access: Backstage with Britney that was broadcast on July xix, 2000.[27] On September 7, at the 2000 MTV Video Music Awards in New York City at the Radio City Music Hall, Spears gave a memorable alive performance.[32] which included a cover of the Rolling Stones's hit unmarried "(I Can't Get No) Satisfaction" (1965) and her own hit "Oops!... I Did It Again", released before that yr. While she began her segment in a blackness suit, she shocked the audience and the media while, at but the age of 18, ripped it off to display a revealing, flesh-colored stage outfit with hundreds of strategically placed Swarovski crystals.[33] One calendar month before the release of the album, Spears headed to Hawaii on Easter Sunday and then she could tape a Fox television receiver special titled Britney Spears in Hawaii. The gratis concert was held on the beach in front end of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[34] The Fox concert event was intended to serve every bit a preview of Spears' Oops!... I Did It Once again anthology that features her twelve new songs.[34] Spears had on a month-long international promotional bout in support of Oops!... I Did Information technology Over again, and on May 2, she had a press upshot at Kokusai Forum Hall in Tokyo, and made stops in both London and Hawaii.[35] Spears was too among the scheduled performers on the 42nd Annual Grammy Awards, which aired on CBS at eight p.thou. (ET/PT).[36] She was also expected to appear on a Grammy-twenty-four hour period TRL.[36]

The anthology'south supporting tour, the Oops!... I Did It Again Tour, visited Northward America, Europe, and Brazil equally part of Stone in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did It Again" and "Don't Permit Me Be the Last to Know". On June 24, 2000, Spears was featured in a impress and television set advert campaign for Clairol'south Herbal Essences shampoo line. In a special coup for Clairol, Spears recorded her own song for the make called "I've Got the Urge to Herbal" that was featured in 60-second radio spots and was part of a pre-concert video presentation for Spears'southward fifty-city summer concert tour, in which Herbal Essences was the bout sponsor.

Singles [edit]

"Oops!... I Did It Over again" was released every bit the pb single from the album and achieved worldwide popularity. It became Spears's third top-ten hit single on the US Billboard Hot 100, peaking at number nine; however, in comparison to the huge success of her debut single "...Babe I More Fourth dimension", Jive Records considered "Oops!... I Did It Once more" a minor disappointment.[38] The song peaked at number ane on the US Mainstream Top twoscore,[39] property the record for the nigh radio additions in one day. "Oops!... I Did It Over again" peaked atop the charts in Australia, Belgium, Canada, Italy, the Netherlands, New Zealand, Norway, Poland, Romania, Spain, Sweden, Switzerland and the Great britain.[40] An accompanying music video for "Oops!... I Did It Over again" saw Spears on Mars in now-iconic red shiny catsuit, while she is visited by an American astronaut who easily her the fictional Heart of the Ocean gem which Rose threw into the sea at the finish of Titanic.[41]

The album'due south 2d unmarried, "Lucky", was released on July 24, 2000 and received positive response from the music critics, who considered one of her best offerings from the album. Commercially, "Lucky" topped the charts in Austria, Germany, Sweden and Switzerland, while reaching number five on the Uk Singles Chart.[42] In the United states, "Lucky" but managed to peak at number twenty-three on the Billboard Hot 100 chart and at number 9 on the Mainstream Top 40.[38] The "glittery" music video sees Spears as the narrator and an extra named Lucky, who is a melancholy movie star and shows her conflicted human relationship to fame.[43]

The third single, "Stronger", was released on October 30, 2000 and became the album's 2nd highest-charting unmarried in the United states, peaking at number xi on the Billboard Hot 100 and number one on the Hot Unmarried Sales.[38] It reached number seven on the UK Singles Nautical chart.[44] Its music video sees Spears communicable her swain cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the pelting,[43] while the chair sequence in the video was inspired by Janet Jackson'southward video for "The Pleasure Principle".[45]

The 4th and last single, "Don't Let Me Exist the Last to Know", was released on March 5, 2001 and is i of Spears' favorite tracks of her career. In the United States, the song performed well below expectations, failing to nautical chart on the Billboard Hot 100 nor the Mainstream Top 40. Notwithstanding, the vocal attained success in Europe, topping the Romanian Top 100 and peaking within the elevation ten in Republic of austria, Poland and Switzerland, while just missing the top ten in Germany, Ireland, Sweden and the United kingdom of great britain and northern ireland, peaking at number twelve in all of them.[46] The music video was considered also racy at the time, portraying Spears in dear scenes with her fictional boyfriend, played past French model Brice Durand.[47]

"You Got Information technology All" received a promotional release in France in May 2000. A promotional CD single for "When Your Eyes Say It" was released in the United Kingdom in Jan 2001.[ citation needed ]

Critical reception [edit]

Professional ratings
Aggregate scores
Source Rating
Metacritic 72/100[49]
Review scores
Source Rating
AllMusic [1]
Billboard favorable[17]
Christgau's Consumer Guide (choice cut) [50]
Entertainment Weekly B[22]
Los Angeles Daily News [51]
MTV Asia 8/10[52]
NME viii/10[20]
Rolling Stone [23]
Salon favorable[53]
Sonic.net [54]

Oops!... I Did Information technology Again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did It Again received an average score of 72, based on 12 reviews, indicating "generally favorable reviews".[55] Giving the album four out of v stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the same combination of sweetly sentimental ballads and endearingly gaudy trip the light fantastic-pop that fabricated 'One More Time'," but remarked that, "Fortunately, she and her production team non only have a stronger overall prepare of songs this time, but they too occasionally get carried away with the same bewildering magpie artful, [...] giv[ing] the album character apart from the well-crafted dance-pop and ballads that serve as its middle. In the end, it'due south what makes this an entertaining, satisfying heed."[1] Billboard magazine wrote that "'Oops!...' indicates that she's developing a soulful border and emotional depth that can't be conjured with a drinking glass-shattering note," praising the album for consistently cast[ing] Spears every bit a young adult female coming to terms with her inner power—and that'southward a darn good bulletin to offering an impressionable audience."[17] Entertainment Weekly's David Browne gave the anthology a B-rating, writing that the album "reminds us in one case once again that the best new pop can exist a blast of cool air in a stifling room."[22]

Rob Sheffield of Rolling Stone gave the album a iii-and-a-half out of five stars rating, calling the album "fantastic popular cheese, with much better song-factory hooks than 'Northward Sync or BSB go", also noting that "the great matter almost Oops!, under the cheese surface, is complex, fierce and downright scary, making her a true child of rock & scroll tradition."[23] A writer of NME reported that "she's modernistic-day popular perfection realised in a nearly, human grade", commenting that "she'due south washed information technology again."[20] Lennat Mak of MTV Asia named it "a brilliant second album", writing that Spears "is armed with a more mature and seasoned pop star wait, stronger and poppier songs, and of grade, all-encompassing media exposure."[52] Andy Battaglia of Salon called the anthology "a masterpiece of sorts not for its message simply for the fashion it applies the conventions of the popular-musical medium."[53] Website The A.V. Social club was more than mixed, calling it "a joyless bit of redundant, obvious, competent cheese, recycling itself at every plow and soliciting songwriting from such soulless hacks every bit Diane Warren and assorted Swedes."[56]

Accolades [edit]

Commercial functioning [edit]

In the United states, Oops!... I Did It Once again reportedly sold 500,000 copies in its first twenty-four hours of release.[62] It debuted at number one on the Billboard 200 nautical chart, with first-week sales of 1,319,193 copies.[63] [64] [65] With its success, Spears held the tape for the highest first-calendar week sales by a female artist.[66] This record was held for fifteen years, only to exist surpassed in November 2015 by the anthology 25 past Adele, which sold over 3.38 million albums in the United states of america in its first week.[4] The anthology vicious to number two in its second week, with additional sales of 612,000 copies.[67] It held this position for 15 consecutive weeks.[68] [69] By its 5th week of availability, Oops!... I Did Information technology Over again had sold over three 1000000 copies and had passed five 1000000 copies by August.[lxx] On its seventeenth week on the chart,[71] information technology was certified septuple Platinum by the Recording Manufacture Association of America (RIAA) for shipments of seven million units.[72] [73] The anthology spent eighty-four weeks on the Billboard 200, thirty-one weeks on the Canadian Albums Chart, and two weeks on the U.s.a. Catalog Albums.[74] Oops!... I Did It Over again debuted at number eighty-two on the European Height 100 Albums, and quickly peaked at number one;[75] information technology sold over four meg copies within the continent, being certified four-times Platinum by the International Federation of the Phonographic Industry.[76] Oops!... I Did It Once again reached number two on the UK Albums Chart,[40] selling 88,000 copies in the starting time calendar week of release; it remained in the peak five for 4 weeks. The anthology debuted at number 1 in Canada, selling 95,275 copies in its get-go calendar week.[77]

It topped the French Albums Nautical chart[78] and the German Offizielle Top 100, also beingness certified triple Platinum by the British Phonographic Industry (BPI),[79] double Gold past the Syndicat National de fifty'Édition Phonographique (SNEP)[80] and triple Platinum by Bundesverband Musikindustrie (BVMI),[81] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number 2 on the Australian Albums Chart, and spent ten weeks in the pinnacle twenty;[82] information technology became the fourteenth highest-selling of 2000 in the land and was certified double Platinum past the Australian Recording Industry Association (ARIA) the post-obit year after shipping 140,000 copies to retailers.[83] [84] Oops!... I Did Information technology Again opened at number three on the New Zealand Albums Chart and was certified Aureate later just ane week on the chart.[85] The Recording Industry Association of New Zealand (RIANZ) ultimately certified it double Platinum.[86] Oops!... I Did It Again became the third acknowledged anthology of 2000 in the U.s., selling 7,893,544 albums according to Nielsen SoundScan[87] and quaternary best-selling album according to Billboard Year-End of 2000.[88] On January 24, 2005, the album was certified decuple Platinum (Diamond) by the Recording Manufacture Clan of America (RIAA).[89] [ninety] Also, the album landed at number twenty-7 on BMG Music Club all-fourth dimension best-sellers list with 1.21 meg units, behind Shania Twain's The Woman in Me (ane.24 meg) and Nirvana'due south Nevermind (1.24 1000000).[91] As of July 2009, the anthology has sold nine,184,000 copies in the United States, excluded copies sold through clubs, such as the BMG Music Service.[92] Worldwide, Oops!... I Did Information technology Again sold 2.5 million copies in its first week (second highest kickoff week sales past a female creative person worldwide) and sold 15 million copies by the cease of the year. It was the best-selling female album and third all-time selling album of 2000. The album has sold xx million copies worldwide.[six]

Controversy [edit]

Musicians Michael Cottril and Lawrence Wnukowski filed a copyright case confronting Spears, Zomba Recording Corporation, Jive Records, Wright Entertainment Grouping and BMG Music Publishing, claiming Spears' "What U Come across (Is What U Get)" and "Can't Make You Love Me" are "virtually identical" to 1 of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song called "What You See Is What You Become" in 1999 to one of Spears' representatives for consideration on a future album, though it was rejected.[93] The case was later dismissed subsequently information technology was ruled that they lacked sufficient evidence and that there "weren't enough similarities between the ii songs to evidence copyright infringement."[94]

Track listing [edit]

Oops!... I Did Information technology Again  – North American edition[95]
No. Title Writer(southward) Producer(s) Length
1. "Oops!... I Did Information technology Once again"
  • Max Martin
  • Rami Yacoub
  • Martin
  • Yacoub
3:31
2. "Stronger"
  • Martin
  • Yacoub
  • Martin
  • Yacoub
3:23
3. "Don't Become Knockin' on My Door"
  • Martin
  • Yacoub
  • Jake Schulze
  • Alexander Kronlund
  • Jake
  • Yacoub
iii:43
four. "(I Can't Get No) Satisfaction"
  • Mick Jagger
  • Keith Richards
Rodney Jerkins iv:23
five. "Don't Let Me Be the Last to Know"
  • Robert John "Mutt" Lange
  • Shania Twain
  • Keith Scott
Lange 3:fifty
6. "What U Meet (Is What U Go)"
  • Per Magnusson
  • David Kreuger
  • Jörgen Elofsson
  • Yacoub
  • Magnusson
  • Kreuger
  • Yacoub
3:36
seven. "Lucky"
  • Martin
  • Yacoub
  • Kronlund
  • Martin
  • Yacoub
3:26
viii. "One Kiss from You" Steve Lunt
  • Lunt
  • Larry "Rock" Campbell
three:23
9. "Where Are You Now"
  • Martin
  • Andreas Carlsson
  • Martin
  • Yacoub
iv:39
ten. "Tin't Make You Love Me"
  • Kristian Lundin
  • Carlsson
  • Martin
  • Lundin
  • Jake
3:17
11. "When Your Eyes Say It" Diane Warren
  • Lunt
  • Robert "Esmail" Jazayeri
  • Paul Umbach[a]
four:29
12. "Dear Diary"
  • Britney Spears
  • Jason Blume
  • Eugene Wilde
  • Timmy Allen
  • Barry J. Eastmond
2:46
Total length: 44:37
Oops!... I Did It Over again  – International edition[96]
No. Title Author(s) Producer(s) Length
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
4:06
13. "Honey Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
ii:46
Total length: 48:24
Oops!... I Did It Again  – Asian edition[97]
No. Title Writer(s) Producer(s) Length
xi. "When Your Eyes Say It" Warren
  • Lunt
  • Jazayeri
  • Umbach[a]
four:06
12. "Daughter in the Mirror" Elofsson
  • Magnusson
  • Kreuger
three:36
13. "Yous Got It All" Rupert Holmes Eric Foster White 4:43
14. "Dear Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
2:46
Total length: 52:33
Oops!... I Did It Again  – Japanese, Australian, Mexican, Asian and Britain special edition[98] [99]
No. Title Writer(s) Producer(s) Length
11. "When Your Optics Say Information technology" Warren
  • Lunt
  • Jazayeri
  • Umbach[a]
4:06
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
3:36
13. "You Got Information technology All" Holmes White 4:10
14. "Heart"
  • George Teren
  • Wilde
  • Lunt
  • Campbell
3:31
fifteen. "Dear Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
2:46
Total length: 55:34
Oops!... I Did Information technology Once again  – Australian special edition (bonus disc)[100]
No. Title Length
1. "Don't Let Me Be the Last to Know" (Album version) 3:fifty
2. "Don't Let Me Exist the Concluding to Know" (Hex Hector Radio Mix) 4:01
3. "Don't Let Me Be the Last to Know" (Hex Hector Club Mix) x:12
4. "Stronger" (MacQuayle Mix Show Edit) 5:21
v. "Stronger" (Pablo La Rosa's Tranceformation) seven:21
vi. "Oops!... I Did It Once more" (Music video) iv:11
seven. "Lucky" (Music video) iv:07
8. "Stronger" (Music video) iii:37
9. "Don't Let Me Be the Last to Know" (Music video) 3:51
Total length: 30:52
Oops!... I Did It Again  – Asian special edition (bonus disc)[101]
No. Title Length
1. "Oops!... I Did It Again" (Music video) four:20
ii. "Lucky" (Music video) 4:14
3. "Stronger" (Music video) 3:47
iv. "Oops!... I Did It Once again" (Karaoke) iv:17
5. "Lucky" (Karaoke) four:eighteen
six. "Stronger" (Karaoke) three:46
Total length: 25:25

Notes

  • Rail 4, "(I Can't Get No) Satisfaction" is a cover of the 1965 Rolling Stones single.
  • ^a signifies a vocal producer

Personnel [edit]

Credits adapted from AllMusic.[102]

  • Britney Spears – vocals, background vocals, spoken words, concept
  • Steve Lunt - A&R, composer, producer, cord arrangements
  • Jeanne LeBlanc – cello
  • Jesse Levy – cello
  • Kermit Moore – cello
  • Eugene J. Moye – cello
  • Harvey Mason, Sr. – editing
  • Bobby Brown – assistant engineer
  • Flip Osman – assistant engineer
  • Clayton Wood – assistant engineer
  • Anthony Ruotolo – banana engineer
  • Alfred Bosco – banana engineer
  • Shane Stoneback – assistant engineer
  • Charles McCrorey – engineer, assistant engineer
  • Michel Gallone – engineer, mixing engineer
  • Chris Trevett – engineer, vocal engineer, mixing engineer
  • Eric Gast – engineer
  • Tim Donovan – engineer
  • Harvey Mason, Jr. – engineer
  • Dan Gellert – engineer
  • John Amatiello – engineer
  • Stephen George – mixing engineer
  • Dexter Simmons – mixing engineer
  • Chris Tergesen – cord engineer
  • Michael Tucker – vocal engineer
  • Jackie Potato – fine art direction, blueprint
  • Mark Seliger – dorsum cover, comprehend photo
  • Larry "Rock" Campbell – bass, guitar, producer, drum programming
  • Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
  • Esbjörn Öhrwall – guitar
  • Johan Carlberg – guitar
  • Michael Thompson – guitar
  • Kali – hair stylist
  • Gloria Agostini – harp
  • Max Martin – keyboards, programming, producer, mixing engineer, spoken give-and-take
  • Robert "Esmail" Jazayeri – keyboards, producer, pulsate programming
  • Per Magnusson – keyboards, programming, producer, mixing engineer
  • Jake – keyboards, programming, producer, mixing engineer
  • Kristian Lundin – keyboards, programming, producer, mixing engineer
  • Rami – keyboards, programming, producer, mixing engineer
  • David Kreuger – keyboards, programming, producer, mixing engineer
  • Kent Wood – keyboards
  • Elan Bongiorno – make-upwards
  • Johnny Wright – direction
  • Tom Coyne – mastering
  • Nigel Green – mixing
  • Jon Ragel – photography
  • Barry Eastmond – piano, conductor, keyboards, producer, engineer, orchestral arrangements
  • Rodney Jerkins – producer, engineer, vocal organisation, mixing engineer
  • Robert John – producer
  • Timmy Allen – producer
  • Richard Meyer aka Swayd – programming
  • Cory Churko – programming
  • Kevin Churko – programming
  • William Meade – string coordinator
  • Hayley Hill – stylist
  • Alfred V. Brown – viola, orchestra contractor
  • Julien Barber – viola
  • Olivia Koppell – viola
  • Harry Zaratzian – viola
  • Maxine Roach – viola
  • Stephanie Baer – viola
  • Richard Henrickson – violin, concertmaster
  • Sanford Allen – violin
  • Belinda Whitney-Barratt – violin
  • Sandra Billingslea – violin
  • Winterton Garvey – violin
  • Gerald Tarack – violin
  • Joyce Hammann – violin
  • Stanley Hunte – violin
  • Regis Iandiorio – violin
  • Cistron Orloff – violin
  • Marion Pinhiero – violin
  • Marti Sweet – violin
  • Amahid Ajemian – violin
  • Xin Zhao – violin
  • Margaret Magill – violin
  • Ashley Horne – violin
  • Nikki Gregoroff – background vocals
  • Audrey Martells – background vocals
  • Nana Hedin – groundwork vocals
  • Darryl Anthony – background vocals
  • Nora Payne – groundwork vocals
  • Jeanette Söderholm – background vocals
  • Therese Ancker – background vocals
  • Charlotte Björkman – background vocals
  • Andres Von Hofsten – background vocals
  • Nina Woodford – groundwork vocals
  • Mona Yacoub – background vocals
  • Jeanette Olsson – background vocals
  • Stephanie Baer – background vocals

Charts [edit]

Certifications and sales [edit]

Release history [edit]

See also [edit]

  • List of acknowledged albums
  • Listing of best-selling albums by women
  • List of best-selling albums in the United States
  • List of fastest-selling albums

Notes [edit]

  1. ^ As of December 2010, Oops!...I Did It Once more has sold 9,201,000 copies in the Us according to Nielsen SoundScan,[185] with boosted ane,210,000 copies sold at BMG Music Clubs.[91] Nielsen SoundScan does non count copies sold through clubs like the BMG Music Service, which were significantly pop in the 1990s.[92]

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Bibliography [edit]

  • Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Just Hits. Year by yr. 1959-2002] (in Castilian). Madrid, Spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.

External links [edit]

  • Official website

wilsonhisee1967.blogspot.com

Source: https://en.wikipedia.org/wiki/Oops!..._I_Did_It_Again_(album)

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